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F♯maj7 guitar chord

F♯ major 7 is F♯, A♯, C♯ and F. Below are the shapes up the neck, the note each string sounds, and the country, blues, and pop progressions F♯maj7 turns up in — press ▶ on any grid to hear it.

Root
Quality

F♯maj7the 5 CAGED positions up the neck

2nd fret
Root on the 6th (low E) string
2fr1F♯5C♯7F3A♯5C♯1F♯142311
E shape
4th fret
Root on the 4th (D) string
4fr1F♯5C♯7F3A♯1333
D shape
6th fret
Root on the 5th (A) string
6fr1F♯3A♯5C♯7F3A♯43111
C shape
9th fret
Root on the 5th (A) string
9fr1F♯5C♯7F3A♯5C♯13241
A shape
11th fret
Root on the 6th (low E) string
11fr1F♯5C♯1F♯3A♯7F41113
G shape

Where you'll hear F♯maj7

The chord in its usual company, already moved into your key. F♯maj7 is the highlighted one — it won't always be first, because some chords only ever pass through on the way somewhere else. Hit play to hear a line strummed at a tempo typical of the style, or turn on Repeat and let it loop while you play along.

Country120 bpm
F♯maj7Imaj7BIVC♯V

Countrypolitan: the same 1–4–5, with the 1 chord sweetened by its major 7th.

Pop104 bpm
F♯maj7Imaj7D♯m7vi7G♯m7ii7C♯7V7

The soft-rock loop — a major 7 home chord is what makes it sound like a sunset.

Only two styles here. The blues wants a flat 7 on its 1 chord, not a major 7.

How to use the shapes

  • The number on a dot is that note's job in the chord: 1 is the root, 3 the third, 5 the fifth. A flat sign marks a lowered tone — the ♭3 is what makes a minor chord sound minor.
  • Major, minor, and 7th chords (dom 7, maj 7, min 7) show the five CAGED positions — the badge under each grid names the open chord the grip is borrowed from. One shape stays open; the other four are that grip moved up the neck. A few of the minor and 7th grips skip strings a full hand can't reach — the × marks show what to leave out.
  • Every other quality gets the same badge wherever the shape earns it: an E-shape sus4 and an A-shape 6th are the plain open grips with one note moved. Expect fewer than five — the C and G shapes run out of fingers once a chord carries a 6th or a 9th, and the richest voicings (9ths, 13ths) come from jazz grips no open chord gives rise to. Those are still worth learning; they just go unbadged rather than get a label they haven't earned.
  • The small greyed numbers under each grid are a suggested fingering — 1 is the index finger, 4 the little finger. They're only a suggestion, and they sit outside the grid on purpose: what a note is doing in the chord matters more than which finger presses it.
  • Press ▶ on any grid to hear that exact voicing strummed.
  • Learn the open position first, then the shape with the root on the 6th string, then the one rooted on the 5th — that trio covers most songs.
  • Shapes with no open strings are movable: slide the whole grip up or down and the root string tells you which note names the chord.
  • A long bar across the dots is a barre — one finger flattened over several strings.

Chords feel awkward at first? The Foundations path builds them up one finger at a time →

Chord voicings from the open-source chords-db project (MIT license).