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Fm7 guitar chord

F minor 7 is F, A♭, C and E♭. Below are the shapes up the neck, the note each string sounds, and the country, blues, and pop progressions Fm7 turns up in — press ▶ on any grid to hear it.

Root
Quality

Fm7the 5 CAGED positions up the neck

1st fret
Root on the 6th (low E) string
1F5C♭7E♭♭3A♭5C1F131111
E shape
3rd fret
Root on the 4th (D) string
3fr1F5C♭7E♭♭3A♭1423
D shape
5th fret
Root on the 5th (A) string
5fr1F♭3A♭♭7E♭1F3142
C shape
8th fret
Root on the 5th (A) string
8fr1F5C♭7E♭♭3A♭5C13121
A shape
10th fret
Root on the 6th (low E) string
10fr1F♭3A♭5C1F♭7E♭42113
G shape

Where you'll hear Fm7

The chord in its usual company, already moved into your key. Fm7 is the highlighted one — it won't always be first, because some chords only ever pass through on the way somewhere else. Hit play to hear a line strummed at a tempo typical of the style, or turn on Repeat and let it loop while you play along.

Country120 bpm
A♭IFm7vi7D♭IVE♭V

The 6 chord turned into a minor 7 — how a country ballad softens the middle of a verse.

Blues84 bpm
Fm7i7B♭m7iv7Fm7i7C7V7

Minor blues — the minor 7 is home, and the 5 chord stays dominant to drag you back to it.

Pop104 bpm
Fm7ii7B♭7V7E♭maj7Imaj7

The 2–5–1. A minor 7 is almost always the 2 chord, on its way somewhere else.

How to use the shapes

  • The number on a dot is that note's job in the chord: 1 is the root, 3 the third, 5 the fifth. A flat sign marks a lowered tone — the ♭3 is what makes a minor chord sound minor.
  • Major, minor, and 7th chords (dom 7, maj 7, min 7) show the five CAGED positions — the badge under each grid names the open chord the grip is borrowed from. One shape stays open; the other four are that grip moved up the neck. A few of the minor and 7th grips skip strings a full hand can't reach — the × marks show what to leave out.
  • Every other quality gets the same badge wherever the shape earns it: an E-shape sus4 and an A-shape 6th are the plain open grips with one note moved. Expect fewer than five — the C and G shapes run out of fingers once a chord carries a 6th or a 9th, and the richest voicings (9ths, 13ths) come from jazz grips no open chord gives rise to. Those are still worth learning; they just go unbadged rather than get a label they haven't earned.
  • The small greyed numbers under each grid are a suggested fingering — 1 is the index finger, 4 the little finger. They're only a suggestion, and they sit outside the grid on purpose: what a note is doing in the chord matters more than which finger presses it.
  • Press ▶ on any grid to hear that exact voicing strummed.
  • Learn the open position first, then the shape with the root on the 6th string, then the one rooted on the 5th — that trio covers most songs.
  • Shapes with no open strings are movable: slide the whole grip up or down and the root string tells you which note names the chord.
  • A long bar across the dots is a barre — one finger flattened over several strings.

Chords feel awkward at first? The Foundations path builds them up one finger at a time →

Chord voicings from the open-source chords-db project (MIT license).