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C♯m9 guitar chord

C♯ minor 9 is C♯, E, G♯, B and D♯. Below are the shapes up the neck, the note each string sounds, and the country, blues, and pop progressions C♯m9 turns up in — press ▶ on any grid to hear it.

Root
Quality

C♯m94 shapes up the neck

1st fret
Root on the 5th (A) string
1C♯♭3E♭7B9D♯5G♯21344
C shape
5th fret
Inversion — a chord tone other than the root in the bass
5fr9D♯5G♯1C♯♭3E♭7B22314
7th fret
Inversion — a chord tone other than the root in the bass
7fr♭3E♭7B9D♯5G♯1C♯13244
9th fret
Root on the 6th (low E) string
9fr1C♯5G♯♭7B♭3E5G♯9D♯131114
E shape

Where you'll hear C♯m9

The chord in its usual company, already moved into your key. C♯m9 is the highlighted one — it won't always be first, because some chords only ever pass through on the way somewhere else. Hit play to hear a line strummed at a tempo typical of the style, or turn on Repeat and let it loop while you play along.

Blues84 bpm
C♯m9i9F♯m9iv9C♯m9i9G♯7V7

Minor blues with the 1 and 4 chords opened out to 9ths — same twelve bars, a soul record's worth of colour.

Pop104 bpm
C♯m9ii9F♯9V9Bmaj7Imaj7

The 2–5–1 with the 2 chord opened up — the sound of a Stevie Wonder verse.

Only two styles here. Not a country chord; the 9 over a minor reads as soul or jazz.

How to use the shapes

  • The number on a dot is that note's job in the chord: 1 is the root, 3 the third, 5 the fifth. A flat sign marks a lowered tone — the ♭3 is what makes a minor chord sound minor.
  • Major, minor, and 7th chords (dom 7, maj 7, min 7) show the five CAGED positions — the badge under each grid names the open chord the grip is borrowed from. One shape stays open; the other four are that grip moved up the neck. A few of the minor and 7th grips skip strings a full hand can't reach — the × marks show what to leave out.
  • Every other quality gets the same badge wherever the shape earns it: an E-shape sus4 and an A-shape 6th are the plain open grips with one note moved. Expect fewer than five — the C and G shapes run out of fingers once a chord carries a 6th or a 9th, and the richest voicings (9ths, 13ths) come from jazz grips no open chord gives rise to. Those are still worth learning; they just go unbadged rather than get a label they haven't earned.
  • The small greyed numbers under each grid are a suggested fingering — 1 is the index finger, 4 the little finger. They're only a suggestion, and they sit outside the grid on purpose: what a note is doing in the chord matters more than which finger presses it.
  • Press ▶ on any grid to hear that exact voicing strummed.
  • Learn the open position first, then the shape with the root on the 6th string, then the one rooted on the 5th — that trio covers most songs.
  • Shapes with no open strings are movable: slide the whole grip up or down and the root string tells you which note names the chord.
  • A long bar across the dots is a barre — one finger flattened over several strings.

Chords feel awkward at first? The Foundations path builds them up one finger at a time →

Chord voicings from the open-source chords-db project (MIT license).