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B♭dim guitar chord

B♭ diminished is B♭, D♭ and E. Below are the shapes up the neck, the note each string sounds, and the country, blues, and pop progressions B♭dim turns up in — press ▶ on any grid to hear it.

Root
Quality

B♭dim4 shapes up the neck

1st fret
Root on the 5th (A) string
1B♭♭5E1B♭♭3D♭1243
A shape
4th fret
Root on the 6th (low E) string
4fr1B♭♭3D♭♭3D♭♭5E3142
G shape
8th fret
Root on the 4th (D) string
8fr1B♭♭5E♭3D♭123
D shape
11th fret
Root on the 5th (A) string
11fr1B♭♭3D♭1B♭♭5E4123
C shape

Where you'll hear B♭dim

The chord in its usual company, already moved into your key. B♭dim is the highlighted one — it won't always be first, because some chords only ever pass through on the way somewhere else. Hit play to hear a line strummed at a tempo typical of the style, or turn on Repeat and let it loop while you play along.

Country120 bpm
AIB♭dim♯I°Bmii

The chromatic step between the 1 and the 2 chord — a walk-up, not a chord you sit on.

Pop104 bpm
B♭dimvii°BI

A diminished triad a half-step under the root is pure tension. It exists to resolve upward.

Only two styles here. The blues reaches for the full diminished 7 instead — see Dim 7.

How to use the shapes

  • The number on a dot is that note's job in the chord: 1 is the root, 3 the third, 5 the fifth. A flat sign marks a lowered tone — the ♭3 is what makes a minor chord sound minor.
  • Major, minor, and 7th chords (dom 7, maj 7, min 7) show the five CAGED positions — the badge under each grid names the open chord the grip is borrowed from. One shape stays open; the other four are that grip moved up the neck. A few of the minor and 7th grips skip strings a full hand can't reach — the × marks show what to leave out.
  • Every other quality gets the same badge wherever the shape earns it: an E-shape sus4 and an A-shape 6th are the plain open grips with one note moved. Expect fewer than five — the C and G shapes run out of fingers once a chord carries a 6th or a 9th, and the richest voicings (9ths, 13ths) come from jazz grips no open chord gives rise to. Those are still worth learning; they just go unbadged rather than get a label they haven't earned.
  • The small greyed numbers under each grid are a suggested fingering — 1 is the index finger, 4 the little finger. They're only a suggestion, and they sit outside the grid on purpose: what a note is doing in the chord matters more than which finger presses it.
  • Press ▶ on any grid to hear that exact voicing strummed.
  • Learn the open position first, then the shape with the root on the 6th string, then the one rooted on the 5th — that trio covers most songs.
  • Shapes with no open strings are movable: slide the whole grip up or down and the root string tells you which note names the chord.
  • A long bar across the dots is a barre — one finger flattened over several strings.

Chords feel awkward at first? The Foundations path builds them up one finger at a time →

Chord voicings from the open-source chords-db project (MIT license).